Wheelhouse Theater Company’s appropriate acknowledgment assurance of Kurt Vonnegut’s rarely produced comedy HAPPY BIRTHDAY, WANDA JUNE begins performances this anniversary on, Thursday, October 18th at The Duke on 42nd Street, a NEW 42ND STREET project, 229 West 42nd Street in Manhattan.
The New York Times Critics’ Pick production, which garnered accepted babble reviews this accomplished Spring at the Gene Frankel Theatre, takes a afire attending at baneful masculinity, gun violence, the accord amid men and women and cultural change. Jeffrey Wise directs the assembly that will run through Thursday, November 29th. The official aperture is set for Tuesday, October 23rd. For added information, appointment http://www.wheelhousetheater.org
Wheelhouse Theater Company’s aboriginal HAPPY BIRTHDAY, WANDA JUNE casting allotment for this appropriate assurance and appearance Craig Wesley Divino (Founder Faultline Theater, Hound of the Baskervilles – Arrow Rock Lyceum), Finn Faulconer (Finding Neverland – 1st National Tour), Matt Harrington (Matilda – Broadway, 1st National Tour, Twelfth Night, Richard III – Shakespeare’s Globe, Harvey – Roundabout Theatre Company), Kareem Lucas (Sole Variations, Walden: Life in the Woods), Kate MacCluggage (Ironbound – Kitchen Theatre Company), Jason O’Connell (Sense & Sensibility – Bedlam), and Charlotte Wise as Wanda June.
HAPPY BIRTHDAY, WANDA JUNE takes a afire and darkly comedic attending at American ability through the blithely abnormal lens of Kurt Vonnegut. Afterwards actuality accepted asleep for eight years, admired war adept and big d hunter, Harold Ryan, allotment home and brings with him an old way of thinking, adulatory a Hemingway-esque adulthood and American exceptionalism. Harold anon discovers that the association he allotment to has fabricated attempts to advance into a added modern, aware cultural narrative. HAPPY BIRTHDAY, WANDA JUNE is a activating and generally amusing brainwork on baneful adulthood and a capitalistic America’s bootless attempts at advance buried in account and morality. Simply put, and as the aboriginal few curve of the comedy state, this is a comedy about men who adore killing, and those who don’t.
According to Administrator Jeffrey Wise, “Harold Ryan, the play’s protagonist, represents abundant added than aloof an anytime adult macho energy. He represents a backer culture, area “progress” is abstinent in a beeline fashion, based on a assertive akin of accountable advance and growth. Harold’s behavior, and analysis of around anyone he comes in acquaintance with, is a affection that so insidiously spreads amid our culture, and we see it today, added almighty than ever, some 48 years afterwards this comedy was penned. It’s a baneful anniversary of death, aition and ascendancy buried in “heroism” and “American autonomous values.”
HAPPY BIRTHDAY, WANDA JUNE aboriginal premiered off-Broadway at the Theater de Lys (now the Lucille Lortel) on October 7, 1970, was restaged at the Edison Theatre on Broadway, starring Marsha Mason and Kevin McCarthy and opened December 22, 1970.
Scenic Design is by Brittany Vasta, Lighting Design is by Drew Florida, Costume Design is by Christopher Metzger, Sound Design is by Mark Van Hare. The Assembly Stage Manager is Paula R. Clarkson, Press Representative is Daniel DeMello / DDPR, Assembly Management is by Drew Francis, and the General Manager/Executive Ambassador is Visceral Entertainment – Michael Chase Gosselin, Tim Sulka (Off-Broadway – Endangered!, The Aboriginal Annual Trump Family Special, Midnight at The Never Get).
Kurt Vonnegut, Jr. is advised one of the best affecting American novelists of the 20th Century and is best accepted for the novels Cat’s Cradle, Slaughterhouse-Five and Breakfast of Champions.Vonnegut’s aboriginal play, Happy Birthday, Wanda June, had him called Best Promising Playwright. When asked about the agent of the abstraction for Wanda June, Vonnegut has written: “I already led a Great Books Study Group on Cape Cod and we apprehend and discussed Homer’s Odyssey. I begin the behavior of Odysseus afterwards accession home accidentally from the Trojan War hilariously bullheaded and somehow Hemingway-esque. And again I remembered the blowhard ancestor of a babe I anachronous in aerial school, who had heard of huge rubies to be begin in the Amazon Rain Forest, and capital to abdicate his job and go attending for them. The blow is history.”
Jeff Wise (Artistic Director, Founding Company Member) is a Tony Award-Winning producer, director, actor, and architect of Wheelhouse Theater Company. For Wheelhouse, Jeff has directed Ibsens’ An Enemy of the People, Shakespeare’s Romeo and Juliet and Julius Caesar and the apple premiere of DANNYKRISDONNAVERONICAby Lawrence Dial.
He co-produced the alarmingly acclaimed apple premiere In the Room with Slant Theatre Project. Jeff additionally produced the alarmingly acclaimed awakening of Already on this Island on Broadway. In NYC he has directed productions of Henry IV Part 2, Hamlet, BACK, and Dear Penthouse. Stage credits accommodate Hamlet, Lend me a Tenor, Pajama Game, Joseph and the Technicolor Dreamcoat, BACK, Three Sisters, Six Degrees of Separation, Bus Stop, and La Ronde. Jeff accustomed his MFA in Acting from New York University.
Performances of HAPPY BIRTHDAY, WANDA JUNE through October 30th are Monday, Tuesday, Thursday, Friday and Saturday at 8pm, Saturday and Sunday at 2pm and Sunday at 7pm. Performances November 1st through 20th are Monday, Tuesday, Thursday, Friday and Saturday at 8pm, Thursday and Saturday at 2pm, and Sunday at 3pm. Performances afterwards November 20th: 11/21 at 8pm, 11/23 at 8pm, 11/24 at 2pm & 8pm, 11/25 at 2pm & 7pm, 11/26 at 8pm, 11/27 at 8pm, 11/28 at 2pm & 8pm, and 11/29 at 8pm.
Tickets will go on auction on September 12, 2018 at wheelhousetheater.org. Tickets are priced $49 – $109.
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